90 Oxygen

They Said Her Music Was Too Exotic. Now She’s a Classical Star.

Published on
They Said Her Music Was Too Exotic. Now She’s a Classical Star.
  • Gabriela Ortiz, a Mexican composer blending traditional Latin American elements with avant-garde techniques, is the current Richard and Barbara Debs Composer's Chair at Carnegie Hall for the 2024-2025 season.
  • Despite initial skepticism and criticism for her music being too 'exotic,' Ortiz continued to develop her distinctive style, which now enjoys international acclaim and critical praise for transcending traditional musical boundaries.
  • Ortiz's residency at Carnegie Hall marks a significant milestone, featuring seven concerts that showcase her latest works and collaborations, confirming her status as a major figure in classical music with notable achievements such as multiple Latin Grammy nominations.

Culture every morning

Always be up-to-date. Get the freshest on culture, every morning to your inbox.


Gabriela Ortiz, Carnegie Hall's composer in residence this season, has spent her career channeling the sounds and sensibilities of Latin America. Despite initial criticism, her music has captivated audiences worldwide.

A Rising Star

Gabriela Ortiz, one of the most vibrant and acclaimed composers in Mexico today, is currently the Richard and Barbara Debs Composer's Chair at Carnegie Hall. This prestigious position, which she holds for the 2024-2025 season, highlights her remarkable music. Ortiz's compositions blend traditional Latin American elements with avant-garde techniques, creating a unique and captivating sound that has earned her international recognition.

A Journey to Success

Ortiz's journey to this point has been marked by challenges and triumphs. Born in Mexico City, Ortiz discovered her passion for music at a young age. She began studying classical music, but soon found herself drawn to the vibrant sounds of her homeland. She started incorporating Latin American rhythms and melodies into her compositions, which initially met with skepticism from some critics who deemed her music too "exotic."

Despite this criticism, Ortiz persevered and continued to develop her distinctive style. Her music is now celebrated for its ability to transcend traditional boundaries, blending elements of classical, folk, and popular music in a way that is both entertaining and profound.

A Carnegie Hall Residency

Ortiz's residency at Carnegie Hall is a testament to her growing popularity and the respect she commands within the classical music community. During her tenure, she will present seven concerts, showcasing her latest works and collaborations with renowned musicians. This residency marks a significant milestone in her career, as Carnegie Hall is one of the most prestigious and historic venues in the world.

Her Music

Ortiz's music is characterized by its blend of traditional and avant-garde elements. Her orchestral works, such as "Revolución Diamantina," combine the rhythmic complexity of Latin American music with the structure and discipline of classical composition. This fusion results in music that is both deeply rooted in tradition and forward-looking.

One of her most notable works is "Altar de Cuerda," which features a violin solo performed by María Dueñas. This piece has been praised for its ability to evoke a sense of mystical atmosphere, drawing inspiration from early Mexican churches. The music is described as "scorching" and "mystical," with violin and woodwind instruments creating a haunting and evocative sound.

Collaborations and Critical Acclaim

Ortiz has collaborated with renowned conductors like Gustavo Dudamel, with whom she has toured extensively. Dudamel has called Ortiz "one of the most talented composers in the world," praising her unique blend of traditional and contemporary elements.

Her music has received widespread critical acclaim, with reviewers from major publications such as The New York Times, Los Angeles Times, and Boston Globe lauding her innovative approach. Her compositions are described as both entertaining and sophisticated, blending highly organized structure with improvisatory spontaneity.

Latin Grammy Nomination

Ortiz's work has not gone unnoticed by the Latin Grammy Awards. She has been nominated for several awards, a testament to her impact on the international music scene. Her nomination validates her role as one of the foremost composers in Mexico today.

Conclusion

Gabriela Ortiz's journey from initial skepticism to international acclaim is a testament to the power of artistic vision and perseverance. Her residency at Carnegie Hall is a significant milestone in her career, showcasing her unique blend of traditional and modern elements. Ortiz's music has transcended cultural and genre boundaries, earning her a place among the most talented and innovative composers in the world today. As she continues to captivate audiences with her vibrant and expressive compositions, there is no doubt that her star will continue to shine brightly in the world of classical music.

---: https://www.carnegiehall.org/Events/Highlights/Debs-Composers-Chair/Gabriela-Ortiz: https://www.boosey.com/cr/news/Gabriela-Ortiz-Unveils-Four-New-Works-at-Carnegie-Hall-Residency/102488: https://www.youtube.com/watch?vRYbrWswhDV0: https://gabrielaortiz.com: https://www.carnegiehall.org/Calendar/2025/05/01/Attacca-Quartet-0730PM